Statham has since become one of the most recognizable faces — and, thanks to his distinctive cockney accent, voices — of modern action movies. In addition to The Transporter films, Jason Statham’s action movie franchises also include Crank, The Meg, Fast & Furious, and The Expendables. While Statham’s stunts, one-liners, and fight scenes throughout his action movie career have been consistently strong, The Transporter‘s eight-minute martial arts fight still stands out as his most electrifying bare-knuckle brawl.
The Transporter’s Bus Fight Is Actually Three Fight Scenes
When Jason Statham’s Frank Martin arrives to put a stop to the human trafficking operation of Mr. Kwai (Ric Young), he is forced to fight several of his henchmen in a fast-paced martial arts smackdown. The icing on the cake is that The Transporter actually treats its audience to three fight scenes for the price of one. Beginning in the corridor between a collection of shipping containers, Frank escapes onto the roof of a bus returning to a nearby station, with the fight scene resuming from there.
After some quick combat in between buses — including some flashy kicks by Cyril Raffaelli of Kiss of the Dragon and District 13 fame — Frank fights his way through another wave of henchmen inside a bus. This leads right into round three of the action scene, with Frank standing his ground against his enemies in the middle of an oil spill in the bus station. The Transporter manages to pack a huge amount of action into its centerpiece fight scene, which also showcases why it works so well.
The Transporter’s Bus Fight Is Very Creative With Its Scenario & Environment
In each of the three sections of The Transporter‘s big martial arts fight, Frank is single-handedly taking on almost a dozen opponents at once, but the real stand-out feature of the set piece is how much Frank is challenged in other ways. Each phase of the fight requires Frank to adapt his fighting skills to a different set of environmental circumstances. The first two sections in the containers and the bus call on Frank to hold his own in several increasingly confined locations, which allows action director Corey Yuen to also get really creative with the fight choreography of the sequence.